Sunday, November 2, 2014

"Constantly Risking Absurdity" by Lawrence Ferlinghetti



Lawrence Ferlinghetti is a poet, painter, and activist. He was born in Bronxville, New York in 1919 and is currently 95 years old. He co-founded the business City Lights Booksellers and Publishers. 
 
"Constantly Risking Absurdity"
 
Constantly risking absurdity
                                             and death
            whenever he performs
                                        above the heads
                                                            of his audience
   the poet like an acrobat
                                 climbs on rime
                                          to a high wire of his own making
and balancing on eyebeams
                                     above a sea of faces
             paces his way
                               to the other side of day
    performing entrechats
                               and sleight-of-foot tricks
and other high theatrics
                               and all without mistaking
                     any thing
                               for what it may not be

       For he's the super realist
                                     who must perforce perceive
                   taut truth
                                 before the taking of each stance or step
in his supposed advance
                                  toward that still higher perch
where Beauty stands and waits
                                     with gravity
                                                to start her death-defying leap

      And he
             a little charleychaplin man
                                           who may or may not catch
               her fair eternal form
                                     spreadeagled in the empty air
                  of existence
 
This poem shows the perspective of a poet and how society views him. The writer uses a simile to compare a poet to an acrobat in the sense that both attract the attention of an audience: the poet with his musings and the acrobat with his tricks. The poet becomes the center of attention with his "theatrics," in other words, analysis or thoughts on subjects wherein he dares to decrypt the underlying truth of the matter at hand while society looks on. His thinking must be in line with society's "all without mistaking/ anything/ for what it may not be." He "constantly risks absurdity" in his thoughts as his messages may make him seem like a fool, leaving him to be mocked, or a genius, worthy of respect, in the eyes of his onlookers, culminating in his "death-defying leap" as he attempts to drive his point across.The poem is structured to make it seem like he is swaying on the tightrope of truth, with any wrong move leaving him to tumble down into the depths of idiocy. The way the text is divided also makes it seem like he is taking each movement cautiously and carefully, so as not to disrupt his audience, giving a stuttering type of rhythm to the poem. Parallels are drawn between the poet and the acrobat as he "balance[s] on eyebeams/ above a sea of faces," and "perform[s] entrechats/ and sleight-of-foot tricks" showing how people look up to him to witness his acts. The work as a whole portrays poets as harbingers of society, in their pursuit to communicate the truth to the public.

Labels: simile, structure, rhythm

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